Aliakbar Mohseni; Shiva Sadeghi
Abstract
With his theory of narrative syntax, which was an aspect of the three elements of semantics, theology, and syntax, Todoroff defined a new and independent mechanism for each literary work, especially in the field of fiction, and divided it into two parts: mythological and ideological. This model can discover ...
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With his theory of narrative syntax, which was an aspect of the three elements of semantics, theology, and syntax, Todoroff defined a new and independent mechanism for each literary work, especially in the field of fiction, and divided it into two parts: mythological and ideological. This model can discover many of the conflicts and misconceptions that govern human societies and provide a suitable solution for them. Based on Todorf's theory, this article examines the narrative structures of the short and ideological story (marital fervor) of Abdul Qudus. While showing this theory's ability to study the deep systems of the story along with its superficial structures, to answer the question that the prevailing ideology, what is this story about, and how was it conveyed to the audience? After examining the superstructural and semantic layers, it became clear that the story's doctrine focuses on women's sacrifice in relationships that men betray, which Abdul Qaddos shows with actions, names, and attributes and uses measures and characters to present an objective image to the audience.